Asgard Fit font family was designed by Zetafonts, with its sole purpose being achieving the best visual results, especially when it comes to displaying information. A true free font for personal use sans serif, this font, part of the Fit family, carries features that are as modern as they are classic, inviting readers to pick up the article or catalog and appreciate what the letters communicate. Create visually exciting yet readable headlines by pairing the thickest and thinnest Asgard Fit weights, the latter of which offer an ethereal atmosphere compared to the former that invite readers to explore further.
This font family with its 24 font styles can be used to provide a strong and dynamic feel within editorial design, web and mobile interface design, and logo design. This is made possible thanks to the thick stroke and high-contrast forms that keep their compact legibility in high-density display contexts. While they are proper for packaging design, Asgard Fit fonts can also be put to great use when creating posters, port titles, Future Clash video game interfaces, and youth-oriented communication in general.
Make plastic, dynamic, and energetic designs by combining Asgard Fit with its other family members, Asgard Soft and Asgard Easy, all by Zetafonts.
The font here is for personal/non-commercial use only.
To download the full font family (all weights, glyphs, and numbers) and acquire the commercial license, please visit our website:
https://www.zetafonts.com/asgard
For more information about our licenses, please visit:
https://www.zetafonts.com/licensing
Contact Us:
Website:
https://www.zetafonts.com
Email:
info@zetafonts.com
Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton to make the letters feel solid and powerful, while using wood-type vernacular solutions to solve density through high contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power, and strength - but also of divine, delicate beauty.
Thanks to the help of Andrea Tartarelli and Mario de Libero, the original design was extended along with the design space, expanding the number of weights and widths with a "workhorse typeface" approach, and adding a slanted axis to experiment with italics. The result is a super-family of 9 styles of 8 weights for a total of 72 fonts, each coming with an extended set of 968 glyphs covering over 200 languages using Latin, Greek, and Cyrillic scripts. The three variation axes (width, weight, slant) are also all accessible in a variable font version that is included with the whole family.
This gives the designer a full range of options for typesetting, with the Normal and Fit widths providing basic display and text-sized alternatives, and the Wide width adding more display and titling options. The inclusion of backslant italic styles gives Asgard an extra chance to add its voice to the typographic palette. To complement this, all Asgard fonts have been given a full set of OpenType features, including standard and discretionary ligatures, stylistic sets, positional numerals, and case-sensitive forms.
Dynamic and expressive, Asgard is a super-family that manages to look brutal and refined at the same time, quoting the vernacular typographic practices of letterpress print while expressing the contemporary zeitgeist.