Description
Asgard font family by Zetafonts is a modern, stylish, and geometric sans serif typeface with impeccable versatility. With 24 font styles included, this clean, legible, professional, impactful, and streamlined font family can satisfy different design requirements. Each variation of Asgard is adaptable enough to be used in both design and printed projects with an equally great visual result. The font is free for personal projects.
Use Asgard to set your branding projects on the right path using it in logos, typography, print designs, and packaging designs. It is also ideal for social media posts, ads, posters, magazines, and other commercial or personal works.
This font family is a free font for personal usage. For commercial projects, users can either donate or purchase a license.
Use Asgard to set your branding projects on the right path using it in logos, typography, print designs, and packaging designs. It is also ideal for social media posts, ads, posters, magazines, and other commercial or personal works.
This font family is a free font for personal usage. For commercial projects, users can either donate or purchase a license.
Author's note
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license, please visit our website: https://www.zetafonts.com/asgard
For more information about our licenses, visit: https://www.zetafonts.com/licensing
CONTACT US:
Website: https://www.zetafonts.com
Email: info@zetafonts.com
Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton to make the letters feel solid and powerful, while using wood-type vernacular solutions to solve density through high-contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power, and strength - but also of divine, delicate beauty.
Thanks to the help of Andrea Tartarelli and Mario de Libero, the original design was extended along with the design space, expanding the number of weights and widths with a "workhorse typeface" approach, and adding a slanted axis to experiment with italics. The result is a super-family of 9 styles of 8 weights, for a total of 72 fonts, each coming with an extended set of 968 glyphs covering over 200 languages using Latin, Greek, and Cyrillic scripts. The three variation axes (width, weight, slant) are also all accessible in a variable font version that is included with the whole family.
This gives the designer a full range of options for typesetting, with the Normal and Fit widths providing basic display and text-sized alternatives, and the Wide width adding more display and titling options. The inclusion of backslant italic styles gives Asgard an extra chance to add its voice to the typographic palette. To complement this, all Asgard fonts have been given a full set of OpenType features, including standard and discretionary ligatures, stylistic sets, positional numerals, and case-sensitive forms.
Dynamic and expressive, Asgard is a super-family that manages to look brutal and refined at the same time, quoting the vernacular typographic practices of letterpress print while expressing the contemporary zeitgeist.
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license, please visit our website: https://www.zetafonts.com/asgard
For more information about our licenses, visit: https://www.zetafonts.com/licensing
CONTACT US:
Website: https://www.zetafonts.com
Email: info@zetafonts.com
Francesco Canovaro designed Asgard as a way to mix his passion for the raw energy of extra bold sans serif typography with the expressivity of high contrast and calligraphy-inspired letterforms. He built the typeface around a strong geometric sans skeleton to make the letters feel solid and powerful, while using wood-type vernacular solutions to solve density through high-contrast details. The typeface name was chosen as an homage to the mythical homeland of the Norse Gods, evoking a land of fierce warriors, power, and strength - but also of divine, delicate beauty.
Thanks to the help of Andrea Tartarelli and Mario de Libero, the original design was extended along with the design space, expanding the number of weights and widths with a "workhorse typeface" approach, and adding a slanted axis to experiment with italics. The result is a super-family of 9 styles of 8 weights, for a total of 72 fonts, each coming with an extended set of 968 glyphs covering over 200 languages using Latin, Greek, and Cyrillic scripts. The three variation axes (width, weight, slant) are also all accessible in a variable font version that is included with the whole family.
This gives the designer a full range of options for typesetting, with the Normal and Fit widths providing basic display and text-sized alternatives, and the Wide width adding more display and titling options. The inclusion of backslant italic styles gives Asgard an extra chance to add its voice to the typographic palette. To complement this, all Asgard fonts have been given a full set of OpenType features, including standard and discretionary ligatures, stylistic sets, positional numerals, and case-sensitive forms.
Dynamic and expressive, Asgard is a super-family that manages to look brutal and refined at the same time, quoting the vernacular typographic practices of letterpress print while expressing the contemporary zeitgeist.
