Description
Econo Sans font family by ingoFonts is a space-saving sans serif typeface, born from the need for simple, professional, and highly legible written communication. A fusion of several geometric shapes, Econo Sans has a clean and minimalistic modern design suitable for various personal and creative uses. The expanded character set, available in thin and bold widths, allows for maximum versatility.
The font finds a natural usage in advertising, branding, signage, UI design, or any other application with high-contrast typography needs. Naturally, it is an easy choice for editorial and printed media, especially newspapers.
Econo Sans is free for personal use. A commercial license is required for all professional and business applications including commercial apps, websites, products, and advertising.
The font finds a natural usage in advertising, branding, signage, UI design, or any other application with high-contrast typography needs. Naturally, it is an easy choice for editorial and printed media, especially newspapers.
Econo Sans is free for personal use. A commercial license is required for all professional and business applications including commercial apps, websites, products, and advertising.
Author's note
The most space-saving sans serif
Even the name of the font implies its function: French for the infinitive to save is conomiser. Now if that doesn't sound good.
This font saves more space than any of its kind!
Slim proportions, but not condensed. Characters which nearly touch. Sparse ascenders and descenders. Distinct forms.
How close to each other can the characters of a font get? Theoretically, as close as you want. But obviously, the words should still be legible. And as any designer knows, body clearance of characters also depends on other parameters such as point size and line spacing.
In practice, there are always situations in which as much information as possible has to be positioned in as little space as possible.
The ingoFont conoSans is made for exactly this purpose. The shapes of the upper and lower case letters are completely matter-of-fact, the way a modern font has got to be. The letters c, e, and s are wide open to their neighbors. An especially distinguished trait of this font is the design of the triangular characters v, w, y, x, k, z and A, V, W, Y, Z, K, X, M, N. And the open form of B, R and P is also not typical in a sans serif.
The distance between letters is kept tight, and often the characters nearly touch, but only nearly.
Results of a comparison: With conoSans, you gain approximately 20% more text in a line than with Tahoma, and even still more than 10% compared to Helvetica Neue, not to mention the old normal Helvetica. In order to truly compare, the fonts were measured up to the same visual size, i.e. conoSans 12 pts, Avenir Next 12.5 pts, Bell Centennial 12.5 pts, Helvetica 11 pts, Tahoma 11 pts.
In addition to the normal figures, conoSans also includes tabular figures with unvarying width as well as ligatures (character connections). Among the ligatures, the double mm is especially unusual and is hardly familiar, but can contribute greatly to saving space without catching the readers' eye. Tabular figures and ligatures can be turned on and off by means of the corresponding Open Type functions of the user program.
The font downloadable here is a reduced version (without punctuation, ligatures, numbers etc.). A commercial version of this font (with all features) is available at www.ingofonts.com
Even the name of the font implies its function: French for the infinitive to save is conomiser. Now if that doesn't sound good.
This font saves more space than any of its kind!
Slim proportions, but not condensed. Characters which nearly touch. Sparse ascenders and descenders. Distinct forms.
How close to each other can the characters of a font get? Theoretically, as close as you want. But obviously, the words should still be legible. And as any designer knows, body clearance of characters also depends on other parameters such as point size and line spacing.
In practice, there are always situations in which as much information as possible has to be positioned in as little space as possible.
The ingoFont conoSans is made for exactly this purpose. The shapes of the upper and lower case letters are completely matter-of-fact, the way a modern font has got to be. The letters c, e, and s are wide open to their neighbors. An especially distinguished trait of this font is the design of the triangular characters v, w, y, x, k, z and A, V, W, Y, Z, K, X, M, N. And the open form of B, R and P is also not typical in a sans serif.
The distance between letters is kept tight, and often the characters nearly touch, but only nearly.
Results of a comparison: With conoSans, you gain approximately 20% more text in a line than with Tahoma, and even still more than 10% compared to Helvetica Neue, not to mention the old normal Helvetica. In order to truly compare, the fonts were measured up to the same visual size, i.e. conoSans 12 pts, Avenir Next 12.5 pts, Bell Centennial 12.5 pts, Helvetica 11 pts, Tahoma 11 pts.
In addition to the normal figures, conoSans also includes tabular figures with unvarying width as well as ligatures (character connections). Among the ligatures, the double mm is especially unusual and is hardly familiar, but can contribute greatly to saving space without catching the readers' eye. Tabular figures and ligatures can be turned on and off by means of the corresponding Open Type functions of the user program.
The font downloadable here is a reduced version (without punctuation, ligatures, numbers etc.). A commercial version of this font (with all features) is available at www.ingofonts.com
