Description
Stinger font family by Zetafonts consists of 40 sans-serif font styles inspired by modern and vintage typography. The fonts showcase simple typography with modern proportions that mix with the generous curves for an approachable contemporary look. Characters in this family are all clean, bold, versatile, and easily legible each in their own unique way.
Use Stinger fonts in branding projects ranging from business cards to letterhead and envelopes. Websites, mobile applications, and UI/UX designs, in general, can always benefit from using fonts like these. Finally, you can try them in book covers, magazines, packaging, etc.
This font family is available for personal projects only. If you wish to use it commercially, purchase a license or donate to the author.
Use Stinger fonts in branding projects ranging from business cards to letterhead and envelopes. Websites, mobile applications, and UI/UX designs, in general, can always benefit from using fonts like these. Finally, you can try them in book covers, magazines, packaging, etc.
This font family is available for personal projects only. If you wish to use it commercially, purchase a license or donate to the author.
Author's note
The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license, please visit our website: https://www.zetafonts.com/stinger
For more information about our licenses, please visit: https://www.zetafonts.com/licensing
CONTACT US:
Website: https://www.zetafonts.com
Email: info@zetafonts.com
Since their first appearance as italics on the pages of the 1821 William Caslon type specimens, reverse contrast typefaces have been typography's best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in period posters, and synonymous with wild west and circus iconography.
In designing Stinger, the Zetafonts design team composed of Maria Chiara Fantini, Andrea Tartarelli, and Francesco Canovaro, and orchestrated by Cosimo Lorenzo Pancini, decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers. They developed a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options, and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added, developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a Latin extended + Russian Cyrillic character set covering over 200 languages, and OpenType features including positional numbers, stylistic sets, and alternate forms.
In the crowded panorama of contemporary grotesque typefaces, all aiming for stark geometric perfection, Stinger stands out with its bold choices and strong personality. From the calligraphy-inspired terminals in the thin weights to the logo-ready sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stinger super family.
To download the full font family (all weights, glyphs and numbers) and acquire the commercial license, please visit our website: https://www.zetafonts.com/stinger
For more information about our licenses, please visit: https://www.zetafonts.com/licensing
CONTACT US:
Website: https://www.zetafonts.com
Email: info@zetafonts.com
Since their first appearance as italics on the pages of the 1821 William Caslon type specimens, reverse contrast typefaces have been typography's best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in period posters, and synonymous with wild west and circus iconography.
In designing Stinger, the Zetafonts design team composed of Maria Chiara Fantini, Andrea Tartarelli, and Francesco Canovaro, and orchestrated by Cosimo Lorenzo Pancini, decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers. They developed a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options, and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added, developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a Latin extended + Russian Cyrillic character set covering over 200 languages, and OpenType features including positional numbers, stylistic sets, and alternate forms.
In the crowded panorama of contemporary grotesque typefaces, all aiming for stark geometric perfection, Stinger stands out with its bold choices and strong personality. From the calligraphy-inspired terminals in the thin weights to the logo-ready sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stinger super family.
