Description
Gotcha Gothic font family by Levi Szekeres is a free sans serif font family that comes in 5 distinct styles. Designed to make a striking impact, the fonts have a retro flair yet maintain a contemporary feel. The bold, dimensional look is vibrant and dynamic, making this font family truly versatile and ideal for modern applications.
One of the most appropriate uses for Gotcha Gothic is in branding and advertising projects. It also fits perfectly in packaging, editorial use, film titles, poster creation, and more. Use is also extended to animated pictures, online projects, TV, and video production.
This font family is a free font for personal use only. For commercial use, purchasing a license or making a donation to the author would be recommended.
One of the most appropriate uses for Gotcha Gothic is in branding and advertising projects. It also fits perfectly in packaging, editorial use, film titles, poster creation, and more. Use is also extended to animated pictures, online projects, TV, and video production.
This font family is a free font for personal use only. For commercial use, purchasing a license or making a donation to the author would be recommended.
Author's note
A Personal Approach to Classics
Gotcha Gothic was created to have an extended option for headings, with lowercase, accents, and iconography, not necessarily for the web. Optical adjustments and graphic effects were reduced to a minimum for a bold, block appearance (more similar to Impact than Franklin).
The 3D version should be used together with the Italic to cover potential overlap of letters and maintain a true effect. However, the 3D with wide kerning may not require the Italic.
The Stamp Basic has a reduced number of characters to keep the file size smaller. The extended version includes all the glyphs of the Regular, but it results in an excessively large file size for a font.
Gotcha Gothic was created to have an extended option for headings, with lowercase, accents, and iconography, not necessarily for the web. Optical adjustments and graphic effects were reduced to a minimum for a bold, block appearance (more similar to Impact than Franklin).
The 3D version should be used together with the Italic to cover potential overlap of letters and maintain a true effect. However, the 3D with wide kerning may not require the Italic.
The Stamp Basic has a reduced number of characters to keep the file size smaller. The extended version includes all the glyphs of the Regular, but it results in an excessively large file size for a font.
